拉各斯 2027 春夏：Oshobor 的极繁主义，夸张之外也留了能穿的款
Oshobor Lagos Spring 2027
Oshobor 创始人 Peter Oshobor 自认极繁主义者，不信“少即是多”；这一季延续上一季开启的神秘、灵性觉醒与魔法的对话，开场气氛怪诞诡异，呼应他 2026 春季收尾那套全身黑羊毛造型与黑脸彩绘。品牌继续模糊时装与戏剧的界线：重衬垫半裙、象形大衣等夸张廓形推向新高度，亮黄与紫色等铺张造型贯穿全场；夸张之间也夹着更商业、更日常的尝试，包括素色 T 恤与象牙白短裤。评论直言部分段落让人迷失、困惑，Oshobor 自己也承认这是在把品牌推出舒适区、想给市场一点新东西。说明：本文为时装周秀评，正文无价格与购买入口。署名：颜如玉编辑台。
When you think of the Oshobor brand, drama comes to mind. “People like to lean into the conversation that less is more,” said Peter Oshobor, founder and creative director of the label. “I’m a maximalist, and I like to believe there are many other maximalists out there too.” This season, he was keen to continue the conversation that his last collection started, one of mystery, spiritual awakening, and magic. The show began on a strange and eerie note. Backstage, he explained his desire to mirror the closing look of his spring 2026 collection, which saw a model walking down the runway dressed in an all-black wool look and covered in black face paint.
The Lagos-based Oshobor enjoys blurring the lines between fashion and theater. From heavily padded skirts to an elephantine coat, he was eager to take exaggerated forms and silhouettes to a new level. The collection was heavily punctuated with extravagant and ostentatious looks, which appeared in such colors as bright yellow and purple. Sandwiched between the drama was an attempt to introduce more commercial and wearable pieces, including muted T-shirts and ivory-colored shorts.
In an attempt to showcase the breadth of his creativity and “take up space,” as he put it, moments in the collection felt disorienting and confused. Oshobor acknowledges he’s attempting to take the brand out of its comfort zone in a bid to offer the market something new and garner attention.
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来源：颜如玉编辑台 · vogue.com