Richard Avedon 为《Vogue》拍摄的 Veruschka：1967 年的 25 页时装大片
25 Pages of Veruschka, Photographed by Avedon for Vogue in 1967
Richard Avedon 为模特 Veruschka 拍摄的 25 页时装大片，最初刊于《Vogue》1967 年 3 月 1 日刊。影像捕捉她的动态姿态，展示美国成衣中的连衣裙与两件式裙装，涵盖针织、羊毛、雪纺等材质及日间、晚间穿着款式。
Editor’s Note: Richard Avedon is always in fashion. That’s because he was interested in who people—be they impossibly beautiful models, activists, or punks—were under the surface. Director Ron Howard has taken a similar approach to the late photographer and his work in the new documentary, Avedon, out November 11 on Netflix. The release coincides with “Richard Avedon: Hollywood,” an exhibition at the Gagosian gallery in Beverly Hills.
Avedon followed Diana Vreeland from Harper’s Bazaar to Vogue in 1966 and he stayed for 23 years. This 25-page editorial from 1967 features Veruschka, the model whom Avedon described as “the most beautiful woman in the world,” a woman whose beauty “demands something and you must extend yourself to meet the challenge or know that a kind of splendor is lost to you forever.” Nothing is lost in these images capturing Veruschka in movement; indeed, they document the symbiosis between artist and subject.
“Vogue’s Eye View: Fashion for Eveyone–American Dresses Have It,” photographed by Richard Avedon, originally appeared in the March 1,1967 issue of the magazine.
What’s new about dresses? This is: twelve months a year, day, night, and in between—the dress is the fashion everyone wants. And in the magical way of American ready-to- wear: what everyone wants, everyone gets. In a word—all the wonderful, wearable, amusing, nifty new dresses you’ve been longing for are here. . . . One-piece dresses with belted waists. Two-piece dresses with chopped tops and bouncing skirts. Narrow knit dresses with matching coats. Floaty dresses with pretty-baby sleeves. Black wool dresses for day. Black wool dresses for dinner. Light-up white dresses—the real, switchy, live-wire thing, with shiny red hearts that go blinkety-blink in the dark. Short evening dresses with flounced hems, tilted hems, jewelled hems. Short chiffon dresses in voyant prints. Long dresses with caftan languor and flow. Bare dresses, covered dresses; paper dresses to beat the band. . . . American dresses have it—fashion for everyone, here and for pages and pages to come. All 25 pages: Ara Gallant coiffures; Tovar-Tresses Dynel hairpieces. Chopped top, dirndl bounce—the two-piece dress in white wool. Chester Weinberg. Charles Elkaim earrings. La Bagagerie handbag. Hansen gloves. Mr. John hat. Beautiful Bryans stockings. Saks Fifth Avenue shoes.
Photographed by Richard Avedon, Vogue, March 1, 1967 / © The Richard Avedon Foundation来源：Vogue · 时装与模特 · vogue.com